Sunset through the Pinegrove, in watercolour, from the west side of the McGillivray ancestral home, Inverlynn, in Whitby C-1910
Over 100 years have passed since this painting was created. Many trees have grown and fallen, storms have had an effect on the grove, but this current photo view to the west through the grove is eerily similar.
Near the mouth of Go Home Bay, Georgian Bay. Florence sat in front of the Firth cottage, and painted this watercolour view. This is a stones throw away from Dr. McCallum's cottage where the Group of Seven painted in the same era. C - 1924
The vegetation has changed since the Island was painted, but the striations in the rocks remain the same in this modern day photo.
The Presbyterian Church in Wakefield Quebec, in water-colour. This is where Florence's brother - in - law Rev. Robert Gamble ministered to his flock for more than forty years C - 1925
Things in Wakefield have changed over the years but as of 2017 this quaint old house of worship still stands.
This tired watercolour sketch was found in a folio of sketches left by the artist in her Whitby home Inverlynn discovered in more recent years
In this second rendition she spreads the trees and defines them and the surroundings more clearly helping us to focus in the centre of the work a mid size watercolour she treats as a completed work
In this final watercolour version she clumps the trees to create a vision of the building through the trees in this beautiful Fauvist rendition of the work that is in the permanent collection of the Greater Victoria Art Gallery, Victoria BC
This small sketch, coloured pencil on paper is typical of her plein air sketches she creates while traveling, some are even sold at her tea art shows and some are worked up in the studio in to larger works.
This moody shoreline watercolour gives us a sense of the old wreck she saw on the beach near St. Ives, Cornwall, sketch C- 1910 finished painting likely from studio when she returned home later.
One can marvel at the treatment of glass in this early watercolour work, Pitcher,Glass and Lemon, 1893, with monogram, private collection
If we look closely at this likely student work, we might see a reflection of the artist in the stunning blue vase. watercolour C-1880
Another student work this lovely floral still-life captures the subject well in this monogrammed watercolour C - 1880, private collection
A typical farm scene after collecting eggs. This watercolour is unsigned but is from the student period C - 1880, private collection
This oil on cardboard is a students foray into a new medium, unsigned C-1880, private collection
A scene familiar to a farm girl, picking apples from the orchard, this watercolour, unsigned, C - 1880, private collection
This ink and coloured pencil sketch on paper laid on card likely made it to one of her tea art show sales, it is signed and dated 1918, private collection
An unfinished oil on canvas was also found in the folio of sketches at Inverlynn, unsigned, C- 1900, private collection
This sketch from one of her several trips to the east coast of Canada is a watercolour and Ink on card, it is unsigned, C - 1918, private collection
This unknown women's portrait, charcoal and graphite on paper is early, it is unsigned and we speculate C - 1890,
This sketch is later, from her last trip to British Columbia,ink on paper it is signed C - 1934, private collection
We speculate that this gentleman could be European because of his costume and the paper has a French watermark, a charcoal and graphite on paper sketch is unsigned , C - 1913, private collection
This could be one of her earliest portraits,
it is her younger brother Donald who grew up to be an eminent Doctor in Toronto. This unsigned, oil on canvas portrait is from a private collection.
A portrait of her father George McGillivray was painted after his death in 1894 from a photo from i890. this unsigned , oil on canvas is part of family private collection C -1894
Portrait of her mother, an unsigned ,oil on canvas likely the same vintage of her fathers C - 1894. in the i890's the family urged Florence to make portraits of her parents and copies of exiting grandparents portraits, so all would have copies.
A portrait of her brother, the lawyer and later judge from Whitby. This unsigned, oil on canvas is likely C - 1894 and is from a private family collection.
One of her elder sisters, who married the accomplished business man David Maclaren. this unsigned oil on canvas is from 1902 and is also in a private family collection.
This stunning watercolour is signed, and dated 1912, it may be of a child who was a family friend of her sister Adelaide who lived in Wakefield, Quebec. private collection
Inspired by Mary E. Dignam President of the Women's Art Association of Canada, Florence begins to explore the art of painted china. She creates this floral design on a Rockwood Pottery piece in 1893, monogram on the base
This lovely set of fruit bowl and 12 serving dishes has no makers mark in a floral design it has a monogram and date of 1896 on the base
This cup with a traditional English portrait design, also has no makers mark but has a monogram and date of 1897.
This tile likely fired by Florence is of her mother Caroline, unsigned and undated likely 1890's
This elaborately carved box by Florence with the McGillivray crest and motto was used as teaching model for her Ontario Ladies College carving class in 1905. It is a cherished heirloom in the family private collection
This art nuevo porcelain creamer has been graciously donated to the Gardiner Museum in Toronto. It has no makers mark but has an FHM monogram and is dated 1909.
This view is similar to what you might see today when you approach the McGillivray ancestral home . This unsigned, watercolour C -1890 is in a private collection
This view of the flats beside Inverlynn no longer exists. The unsigned, oil on canvas is C - 1890's from a private collection
This represents a field divider somewhere on the Inverlynn property. This signed, oil on board, is C -!890's from a private collection
The painting depicts a path beside Lynde Creek to the north of Inverlynn. This signed, oil on board is C - 1890's from a private collection.
The hay wagon and the pine grove hide Inverlynn in the fall harvest scene.. The unsigned, oil on canvas is C - 1890's from a private collection.
A view often seen looking to the west of Inverlynn on many an evening. This delicate watercolour in the classic European style, is signed posthumously by ACR M'Gonicle dated 1898 ( his attempt to preserve provenance)
In this scene at Wakefield we can see in the far left background the Manse that her sister Adelaide lived in with her husband Rev. Gamble. A watercolour ,signed, C - 1925, from a private collection
At the end of the Mill Road in Wakefield is the Maclaren Cemetery, originally for family it now has other locals interred there including former Prime Minister Lester Pearson who summered in the Gatineau region,This oil on canvas, signed, C - 1920's
One of two versions of these falls where the ferry ran before the hydro dam was built there.this signed, watercolour was done in 1928, and is in a private collection
This pretty fall scene is in the Gatineau region. A pastel that is signed, C - 1925, and from a private collection.
This is a later painting, one of her largest oils of the wooden bridge at Ferrelton on the Gatineau river, it has been replaced by a steel version, A magnificent oil, signed and believed to be C -1930, in a private collection
Florence paints this Gatineau scene while on her way to visit the Maclaren's her Brother in laws family who owned the lumber mill there. This signed, watercolour is C - 1920 private collection
A very early painting, possibly from an undocumented trip mid 1890 or from when she journeys to France 1912. This oil on board, is signed in graphite (perhaps later ) from the area that gave us the Barbizon movement in France. private collection
From a trip that took her to Cornwall and the Channel Islands in the summer. this watercolour on paper is signed from 1910, private collection
This unique harbour near Brittany on the south coast of France. An oil on board, is signed and dated 1910, private collection
The raging shores of the Cornwall coast were a fascination for Florence that summer. A water-colour on paper, signed, 1910, private collection
This unknown Italian harbour is suspected to be in Italy because of the red canvas sails on the boats. This watercolour and gouache on paper, is signed and dated 1914. private collection
On her way home from her European tour she paints this street scene in Ireland. This thickly painted, oil on canvas, is signed, and dated, 1914. private collection
After the turn of the century Florence began to explore the wilderness of Ontario and Quebec. This watercolour, signed, C - early 1900's, is from the Station Gallery collection
While visiting Dr. Firths cottage in Go Home Bay, the president of Pickering Cottage, she likely visited members of the Group of Seven who visited Dr. McCallum's cottage, just around the corner in the same era. Florence shows us the evening light in this watercolour, signed, C- 1920's, private collection
A typical scene of the life in Labrador during this era. This accomplished oil is signed with no date, private collection
An east coast scene of a solitary cabin on a lonely shore. This watercolour, signed,1918, private collection
As she traveled up the west coast she painted in many locations here is the harbour in Prince Rupert, BC. This handsome oil, signed, 1921, private collection
This stunning arctic scene reminds us of the work of Harris and Jackson when they explore the arctic in later years. A watercolour, signed, 1919, private collection
From a trip to the east coast she paints in Canada and the United States. An oil on canvas, signed, 1922, In the Ontario Ladies College collection
Invited to California by friends she visits, Santa Barbara, La Jolla, Catalina Island, Sonoma and San Fransisco. This oil from 1921 is unsigned, private collection
The historic lighthouse in the harbour at Stonington Connecticut. This watercolour, signed, 1918, private collection
This location must have impressed Florence as she completed a number of variations of these dunes. This pastel, signed, 1921, private collection
She found this interesting adobe house somewhere in California. This oil on canvas, signed,not dated, private collection
Somewhere near Skagway Alaska she found this scene, reminiscent of her friends in the Algonquin schools work. oil on board, signed, 1923, private collection
In the early twenties Florence explores first Trinidad then Jamaica in her discoveries in the Caribbean, A watercolour, signed, C -1922, private collection
One really gets the sense of the place and the light in this created street scene. A watercolour, signed, C - 1923, private collection
We get a view of history, in this village scene from Trinidad, over the next few years she visits the Caribbean many times. watercolour, signed, C -1921, private collection
A later work, likely created from one of her sketches, back in the Ottawa studio. oil on canvas, signed, 1928, private collection
As with many of her oils this may have been a studio work, the light is exquisite, unknown if its Trinidad or Jamaica. An oil on canvas, signed, C -1922, private collection
Another likely studio work we think Jamaica really captures the life locals. An oil on canvas, unsigned, 1929, Donated to the Agnes Etherington Art Gallery at Queens Universities, in their permanent collection, by her family.