A very early painting, possibly from an undocumented trip mid 1890 or from when she journeys to France 1912. This oil on board, is signed in graphite (perhaps later ) from the area that gave us the Barbizon movement in France. Private Collection
From a trip that took her to Cornwall and the Channel Islands in the summer. this watercolour on paper is signed from 1910, Private Collection
This unique harbour near Brittany on the south coast of France. An oil on board, is signed and dated 1910, Private Collection
The raging shores of the Cornwall coast were a fascination for Florence that summer. A watercolour on paper, signed, 1910, Private Collection
This unknown Italian harbour is suspected to be in Italy because of the red canvas sails on the boats. This watercolour and gouache on paper, is signed and dated 1914. Private Collection
On her way home from her European tour she paints this street scene in Ireland. This thickly painted, oil on canvas, is signed, and dated, 1914. Private Collection
This painting could be from an earlier undocumented trip to England 1890's, a signed oil C - 1895 from a Private Collection
In the summer of 1910 she spends the summer exploring Cornwall and the Channel Islands. This scene from St. Ives is a signed watercolour from 1910 from a Private Collection
On her way from France to Italy she stops in Mentone and creates a number of coastal scenes like this one. This signed watercolour is from 1914 and is from an unknown Private Collection
On her way north at the end of her European tour she creates this poignant Post Impressionist scene in italy. This pastel is signed and dated 1914 from a Private Collection
When she returns to her Frank Street Carriage House Studio she works up many of her European sketches, This wonderful Venice scene is the smaller of two similar paintings. A signed oil on canvas dated 1917 from a Private Collection
Again from her Ottawa studio, this colourful harbour scene captures the vibrant scene. This oil on canvas is signed and dated 1917. It was donated to the Whitby Libraries permanent collection by her sister in law Helen, Theodore's wife
This pretty watercolour of moored boats 1910, signed Private Collection
A classic scene from Venice, an oil 1910 signed Private Collection
This quaint rural scene from Brittany is pastel and gouache. 1913 signed Private Collection
Likely after she left Paris she came across this place, watercolour 1914 signed Private Collection
Suspected to be somewhere in France this bridge with house behind is an oil, 1913 signed from the permanent collection of Carleton University, Ottawa
Florence passes through Scotland at the start of her European Journey creating this watercolour 1912 signed Private Collection
Likely spurred on by other artists friends who were visiting Cornwall ,England to paint the scenes there Florence created this image of St.Ives, watercolour signed 1910 Private Collection note the boat name in foreground tribute to Scottish taste in drink perhaps?
This unusual and interesting rendition of the bridge in Venice was hard to recognize in this particular style (more on that in future stories) , oil unsigned C - 1914, Private Collection
A work created later back in the studio after her trip to Italy, watercolour, signed with OSA, 1917, Private Collection
Could this be a street scene from memory or a studio scene created in France it is unknown, oil unsigned 1913, Private Collection
This lush thickly painted scene likely from France was purchased from the artist by a former director of the National Gallery, oil signed 1913, Private Collection
This drawing from the Cornwall trip is likely plein air, coloured pencil signed 1910, Private Collection
This painting from an unknown location in Italy is subtle yet pleasing in its execution, watercolour, signed, 1914, Private Collection
One of her many scenes she painted while in Venice on the European tour, watercolour, signed, 1913, permanent collection Toronto Museum Sevices
This reflective painting of the harbour at Livorno, Italy created in a different style than some of her other works, watercolour, signed, undated, Private Collection
This magnificent Post-Impressionist work
was a gift by the artist to the college she was long associated with, one of her larger paintings. An oil, signed, 1914, permanent collection Ontario Ladies College, now Trafalgar Castle School
This painting a somewhat similar view of the Grand Canal as in the last gallery, a closer look with minor changes, coloured pencil, signed, 1914, Private Collection
This painting is verso of the "Arno River'
painting, oil, unsigned, C - 1914, permanent collection Art Gallery of Ontario
Several renditions of this lovely painting exist, but this the largest one is the most impressive, a pastel, signed, C - 1913, Private Collection
A later work from the studio a few years after visiting Italy, some say reminiscent of Gaugain, oil, unsigned, C - 1923, permanent collection Art Gallery of Alberta, Edmonton, Gift by the Artist 1931
A mysterious moonlit scene of Venice, watercolour, signed, 1914, Private Collection
One of the last stops on the European tour, before she returns home at the outbreak of war, watercolour, signed, 1914, Private Collection
A quaint market scene in an unknown French town, oil, unsigned, c - 1913, Private Collection
A row of Poplars on a spit with what looks like a remainder of a dock unknown location, watercolour, signed, C - 1914, Private Collection
An impressive shoreline on the coast near Cornwall, signed verso "Love and Best Wishes Florence', watercolour, C - 1910, Private Collection
Somewhere en route to Cornwall Florence found this pretty cottage to paint, watercolour,Signed, 1910, Private Collection
A marvellous painting in a different style she came across while in Europe, we suspect the Arno Forrest ( see Florence's Stories in an upcoming post for more details), oil, signed, 1914, Private Collection
In this foggy rainy painting she gives us a real sense of the place in this early painting from the mid 1890s, for which there is not many details, watercolour,signed, C - Mid 1890s, Private Collection
Could this sliver of paper on which the castle is drawn be a scrap of paper she clung to when she was forced to leave Switzerland at the beginning of WWI, coloured pencil, monogram, C - 1914, Private Collection
Could this be a view from the train as Florence traveled towards Paris, watercolour, signed, C - 1913, Private Collection
Looking back in at the shore and the village of St. Ives, a place known for its artistic community, watercolour, signed, C - 1910, Private Collection
Almost identical to a similar painting in chapter 4 of this gallery, subtle differences though especially the name of the boat in the foreground, watercolour, signed, C - 1910, Private Collection
It could be a studio set up, or could be in Brittany, where troops where known to perform, oil, signed, 1913, Private Collection
We wonder if this could be a stop in Scotland again at the beginning of her European tour, really an unknown location, watercolour, signed, 1912, Private Collection
Dwarfed by the trees this lovely country home impressed Florence on her way to Paris, oil signed, C - 1913, Private Collection
Another pretty home that captured Florence's imagination as she traveled through France, oil, signed, 1912, Private Collection
This traditional street scene from St. Ives was created in the prolific summer she visited Cornwall and intermingled with the growing artist community there, watercolour, signed, 1910, permanent collection,Agnes Etherington Gallery, Queens University, Gift of Gordon Conn Trust
A herder with his sheep beside the creek, likely a studio work, watercolour, signed, 1916, Private Collection
A lake scene from the end of her European tour just before she escapes the war and heads home, oil wash, signed, 1914, Private Collection
Some of the tops of the buildings in Venice a different perspective of the city on the water, watercolour, signed, C -1914, Private Collection
An unknown section of Venice typical of the many locations she would have come across, oil, signed, 1914, Private Collection
One of the series of vibrant,colourful pieces she creates when she gets back to her Ottawa studio, oil, signed, C - 1919, Private Collection
Crashing waves accost the rocky coast of this Cornwall seascape,watercolour, signed, 1910, Private Collection
A cliff of colourful rocks guard the inlet on this scene, watercolour, Unsigned, C - 1910, Private Collection
A sandy beach appears in this rendition of a St. Ives shoreline, watercolour, signed, 1910, Private Collection
A boisterous sea, on a windy day at the shore, watercolour, signed, 1910, Private Collection
Cornwall and the lighthouse are the backdrop for this boat up for repairs, watercolour, signed, 1910, Private Collection
This colourful shoreline has a peculiar name, watercolour, signed, 1910, Private Collection
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